Norma Minkowitz

Norma Minkowitz, a fiber artist born in 1937 in New York, started her artistic career by studying pen and ink drawings at the Cooper Union Art School in 1958. Over time, she transitioned into fiber art and became a notable figure during the 1970s fiber art movement. Minkowitz’s art symbolizes the dual themes of shelter and entrapment. Much of her fiber work resembles netting or mesh, materials that convey both delicacy and the strength of steel mesh, symbolizing aspects of the human condition.

Learn more about Norma Minkowitz here

Walking Through My Winter Garden (2016)

Hand made woven tunic-style dress that features intricate heavy woven textures, designs and a cohesive color palette featuring deep royal purples, navy blues, hookers green, and fuchsia to form a cohesively jewel-toned look.
Hand made woven tunic-style dress that features intricate heavy woven textures, designs and a cohesive color palette featuring deep royal purples, navy blues, hookers green, and fuchsia to form a cohesively jewel-toned look.

Circe (2023)

As my work evolves, one thing remains consistent: I am engaged in creating works that weave the personal and universal together.
— Norma Minkowitz's Artist Statement
Woven tapestry featuring an abstracted woman with outstretched arms within an upside-down, elongated, oblong  triangular shape. The background showcases abstract mountain forms and a burnt orange quarter-circle in the upper left corner.

My Cup Runneth Over (2008)

30 1/2 × 23 × 17 Mixed Media Courtesy of the artist

Bust of naked female figure from waist up made up of mainly orange wire. At the base, a net like object is tangled up and adorned with sea shells. Wires can be seen emerging from the nipples and back into the net like object.

Taking A Closer Look At “Walking Through My Winter Garden”

My work is spontaneous and not planned beforehand. I approach my work as if I were drawing on paper or directly on a female form caressing the shape with line and pattern and themes that often reflect my mood, thoughts of nature or darker instincts. Sometimes I work directly on the mannequin and often just make parts that I would later attach as my ideas come to fruition and my sense of color and line directs me . Working directly on the mannequin is connected to my sculptural work as I often crochet directly on a female body form as well as objects that inspire me. The material is stiffened and then removed from the form and the sculpture becomes transparent and fragile looking. In creating the wearable art, the fibers become opaque and the work reflects a painting or drawing.
— Norma Minkowitz
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